“…workers in song” Leonard Cohen

 

I started this blog over and over. Can’t really sum this up or begin. To an artist so human, we have your material and love forever

in classy dark suits

to the deep dark voice

always inspiring

our soulful march


RADICAL DEATH- The Mushroom Burial Suit

Many of you have probably heard of the Mushroom Burial Suit conceived and invented by artist Jae Rhim Lee. It is brilliant and something to seriously think about. In fact I think I might have to re-write my will. If I believe humans as a species are intrinsically connected to the planet then I should eat my words around being responsible on how I leave this earth plane. Cremation is pretty toxic. But Can I forgo cremation? I love having the ashes of my parents, and I want my kids to have them of me. To decline on cremation the option of The Mushroom Burial Suit makes sense from an environmental perspective listen here…

 

Below is her experimentations of mushrooms that could decompose her nails, skin and hair which I believe are already outgrowths of biological waste we naturally eliminate.

MUSHROOMS live on and on and on and on

MUSHROOMS have this capacity to live on and on and on and on decomposing the world around us in a profound system of communication with co-habitors on this planet.

Mycelium Learning at the Edge says

The mycelium organism is the root system of mushrooms; an underground network that connects to the roots of plants and trees and distributes nutrients and information to support the health of the whole ecosystem. This adaptive, pro-health organism is a teacher for us as we ask, “How can humans more successfully interact with each other in ways that nourish ourselves, each other and the world.”  http://mycelium.is/about-us/

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Mushroom suit

 

Well something to contemplate and imagine, right? Could you take this radical step? Perhaps in the meantime if we eat more mushrooms to boost our immune system an illumination will arrive.

mushroom-death-suit-sm1-300x336

suit at death

 

 


BIRD’S EYE VIEW- birds in fashion

BIRD’S EYE VIEW

 Alexander McQueen Fall 2006 RTW, photos by Don Ashby/Style.com

Alexander McQueen Fall 2006 RTW, photos by Don Ashby/Style.com

Birds live all over the world, and have been around for millions of years. We go birding, pick up on their songs, they meet us somewhere on a hike, they pop by our house and hang out in our trees, they nest like us, live near or on the water, some hunt, dive, some feed on seeds, nectar, meat or fish. They soar, hide, lurk in the depths we most fear. Their razor sharp eyesight and sonar intelligence make them a remarkable part of the animal kingdom on this earth. And while we continue to learn about the diversity of species and their adaptive systems what impresses me most of all is that they know the skies like no other animal, or human. They are our link to a larger universe dark or bright.

alexander_mcqueen_spring_2011

Alexander McQueen

Let’s take flight for a sec…

In terms of adaptive systems, the owl’s feathering allows them to camouflage in their environments for catching prey. In image of the dress of owl feathers, the models braided hair and light skin tones would camouflage similarly against the bark of trees. ‘Dress’ acts an intermediary between human and animal.

So why am I connecting fashion with birds? Because fashion reflects human desires, and the longing for a meaningful identity. Some of us turn to religion for example to meet a larger truth of that meaning we so desperately crave, while some turn to Nature for similar understanding and connection to a larger whole of who we are. To my mind birds by nature have a ‘birds eye view’ and fly around that ‘whole’ we seek. They mediate between earth and the unknown of the sky. Fashion designers and artists alike think deeply and act on that connectivity humans need for individual security. The imagery I have chosen to share here is visibly about ‘dress’  but dress that connects us to something larger than ourselves.

Owl illustration

Extinct birds wearing fashions from the year they went extinct- Laughing Owl, 1914, Brian Williams

I am not a fan of anthropomorphism because humans often fail to see animals as they are, we imbue them with aspects of ourselves rather than seeing the animal kingdom composed of distinct species of equal valuable to us. Sometimes we don’t get the message of atrocities like ‘extinction’ unless we imagine being in the same shoes as the defeated like in this illustration above. Is extinction a natural cause in evolution? The image is wonderfully ambiguous with multiple meanings. Is the owl living in our apparel or are we sporting an owl ‘head’ a marker of acute awareness?  Perhaps ‘Empathy gap’ between bird and human might be another way to put it, but the intention I think is to connect humans to a palpable loss of freedom and the constraints of living. The paradox between freedom (the symbolic nature of a bird ) and order (wearing a suit) is indeed standing proudly here.  Oh, too often human needs impose order of many kinds dictating our precedence over the impressive beauty such as the species of ‘Laughing Owl’ and that which surrounds us.

Bird's Eye View

Bizarre Bird- fashion editorial. The dead has plumage

For fashion designers the clothes carry the narrative, the story is in the clothes, and could go something like this: A dark princess went out hunting one day and comes face to face with the death of a bird. “Is she equipped?” and “what would you do in the same scenario?”. “Would its death have any impact on you? how so?”

owl headwear

owl taxidermy

This image is priceless. Taxidermy on the head. Me thinks she is hooting.

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The photo above pertains to some of my research as art director for an OWLMAN design I am creating for a movie called Joan in Owl Land. The film is directed by Martin Castaneda https://www.facebook.com/martincastanedayabar?fref=ts with cinematographer Carlos Diaz www.crd.carbonmade.net. Feathers, long black hairy furs, dark leathers, and barks are some of my materials to inspire me.

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Woman in Photography- unknown photographer

Birds connect us to the heavens, however the following designs show a subtler current in Nature and one that revolves around human’s affliction with our psychological underworld. Our feathered friends act as messengers between our unconscious and conscious selves. Nature and humans are inextricably linked.

 

yiqing-yin-couture-fall2012-04

yiqing-yin-couture-fall2012-04

Clothing that circulates and expands into web and trap.

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Alexander McQueen

Self-destruction

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Anglomania at the Met- John Galliano

Birds that take us into mourning

 

Alexander-McQueen

Alexander McQueen- Birds of Paradise

Feathers that keep us protected, cool and detached.

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Alexander McQueen – Savage Beauty

And feathers that make us bleed in our wounds.

To an ancient Chinese proverb:

          A bird does not sing because it has an answer. It sings because it has a song.

 


The Haunting Gottfried Helnwein

Gottfried Helnwein

Gottfried Helnwein

Gottfried Helnwein blows me away. An oil painter in photorealism, he strikes to a core. The technical and conceptual brilliance of his work is utterly married together and phenomenal. When I think of the word ‘inspiration’ I tend to think of other words like ‘upbeat, positive, encouraging, adventurous…’ but examining the character of his aesthetic I am inspired to get pretty damn real about life, like let’s not waste time here. He hits me hard. I love it.

 Now, I have stared at Picasso’s Guernica, 1937  http://www.pablopicasso.org/guernica.jsp  and Ruben’s Massacre of the Innocents, 1612 http://artmatters.ca/wp/tag/massacre-of-the-innocents/   and wept about our beastliness, and inhumanity. No joke, those works are powerful. This is different. The feeling of goose bumps move from skin to way way way back inside me and scorches the tips of what I also know to be human: anxiety, physical suffering, fear, victimization. Helnwein brings this kind of emotional reality into a concrete…WOW.

Gottfried Helnwein

Gottfried Helnwein

Helwein’s creative gaze captures innocence, loss, powerlessness, unrest, the ‘un-protected’ by forces of safety. When I first saw his work I immediately thought of my daughter. So right there, my insides were turned.  It is like I can see something in the young girl from my own body, to the effect of  ‘ surrender to what I can’t control, a kind of abandonment of will and maybe something will keep me alive’ kind of feeling. I began to probe that maybe the instinct to survive comes in the exact moment after the loss, or victimized feeling that washes over the body?…whatever that feeling is…HOLY CR&^%&!

Helnwein

Gottfried Helnwein

Inexplicable torture – Is this to feel? to penetrate numbness? Our culture does a very good job at keeping us trapped in a kind of delirium. Contemporary artist Paul McCarthy defines that for us in his filmic installations. The psychological terror here scares the heck out of me when these expressions stare back. It’s pretty darn literal.

Gottfried Helnwein hyperrealism

Gottfried Helnwein

The purity and then it leaves…

Gottfried Helnwein- The Child series

Gottfried Helnwein

When I see and feel this image I think of- “If I close my eyes maybe the pain will all go away. I just want to not see for a sec…” and ” maybe I can wish for help to come …”

Gottfried Helnwein

Gottfried Helnwein

A dark dark presence to reckon with and at the same time there might be a way out…?

Gotta take a breath here. Whoosh!

Below is to show you the ‘average’ scale of his work. Pretty flippin’ large.

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Gottfried Helnwein

The artist himself. He is Austrian born, now an Irish citizen, studios in Los Angeles and Ireland, and lives in a castle with his large family. His models are family members. He paints, does costume and theater design, installation works, performance, a draftsman…

He is more than goth, he is Gothic.

 

Photo Gottfried Helnvein

Up close to Gottfried Helnvein-

WOW!


love knows all

Hi everyone,

With Mandela gone our spirit must continue his work for healthy prosperity, good will and justice for everyone. We will be mourning a long time for sure. Little to big experiences all matter and make us whole and filled within each of our communities. I know I am pretty proud to be a part of mine at home in Montpelier, Vt. Let’s keep sharing the love. I have some happy news to report- I received 5th place for my installation at the Florence Biennale. 450 artists, from all over the world exhibiting all over this beautiful city. Amazing! thanks to all the support of my donors and friends, I am truly blessed!

Below are several pics of the installation. I will post 2 videos of its robotic hand; an alluring feature of it asap.

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the human heart

Award Winning Blood Queen Love