GLAMOURie performance exhibition January 2016

I am nostalgic around an exhibition I created early this year from my residency at Oxygen Art Center in Nelson, BC.  I thought I would share some of the performance that came out at that time. I created the set, directed and choreographed the movement and momentary stills of the performance called Glamourie. You can visit the intentions of the concept here-http://www.samtalbotkelly.com/news.php.

Artist: Sam Talbot-Kelly

Fantastic creatives: Architect and dancer Thomas Loh, Teyana Neufeld, Lynn Dragone, Ho Soon Yeen along with a giant teddy bear were the performers wearing specific costumes who bump into each other on a dilapidated, topsy turvy, insecure ‘vessel’.  Ships and vessels are typically with ends at the bow and stern. My ‘ship’ had signs of foreboding and comfort, dark and light, stable and insecure at either ends. The narrative wasn’t visually linear with characters moving in and out of space from a beginning act to an ending act. Rather the performance was happening before the audience knew it was happening. These characters pre-existed in the entire space before the audience came in, as if they inhabited it for an uncertain amount of time, as seemingly unrelated people with random connection. The audience stumbled into their space of ‘happening’ and together performers, audience, time and space collapse into a collective ‘real time’.

The  ‘vessel’ set jutted out on a diagonal from one corner and extended over to the opposite corner. The center of the vessel found the characters colliding and culminated into a vortex of uncertainty. None of the four knew what to expect from the other, none of the four knew if they could trust one another. They circled together ambiguously without trajectory, without destination, without fully knowing who each other were, yet the attraction to pull through and out of the culminating maelstrom peak was strong. A reliance on instinct came upon them, on that which they couldn’t perceive, not of each other’s powers but on some oblique acceptance and perhaps responsibility to that which is beyond themselves.

Enjoy.


GLAMOURIE

GLAMOURIE

I  came to the conclusion the other day that I often try to bridge Western and Eastern thinking and here is an occasion of that.

Bauhaus mask

Schlemmer Masks from Bauhaus stage workshop http://library.calvin.edu/hda/node/1445

Trickery is an ancient art of survival whether you are a god or a mere mortal. Rhea fooled Cronos in order to save their infant son Zeus to become an Olympian hero, Hephaestus exposed the adulterous love between his wife Aphrodite with lover Ares, Hermes stole objects from the gods for fun, so too women have had to become cunning in order to not get overpowered by male forces.

Hermes Greek Trickster God

Hermes Greek Trickster God http://www.theoi.com/Olympios/Hermes.html

 

Greek Comedy and Tragedy masks

Greek Comedy and Tragedy masks http://world4.eu/roman-theatre-masks/

‘Glamourie’ is a Scottish Faery term for illusion. ‘Cast a ‘glamour’ over the senses so that things aren’t what they seem’ has become part of my inquiry into costumery, textiles, and the roles of human play in daily life. As a practitioner in the way of the arts I have become conscious of how this ancient art of ‘deceit’ is a necessary invention that keeps us in the realm of possibility. The theater of Glamourie to which I allude to is a stage that mediates between emotion and perception. Below is some visual research for the artist residency I will be attending at the Oxygen Art Center http://www.oxygenartcentre.org this December with exhibition from January 9 thru to 6th of February 2016 in Nelson, BC.

The following images show costumery from different points of view. The choices are endless so I selected a few such as an illustration of the body masking with geometry

Fashion Illustration by Danielle Meder

Fashion Illustration by Danielle Meder http://finalfashion.ca/category/illustration/

masking with anatomy

 

masking with shadow and light

masking with architecture

Architecture and costume
Architecture and costume https://secretknowledgeofspaces.wordpress.com
                      We are never complete as human individuals, this is our beauty in constant play and our path towards self-realization. In Zen Buddhism the Enso circle can be painted open or closed. If it is open then we are in progress, if the circle is painted closed, it represents perfection and perhaps full self-realization. We can recall Plato’s perfect theory of forms and his distrust in the world of appearances and constant change. To a Plato thinker a circle doesn’t exist in the physical reality of space and time only as an approximation of the real thing and which can only be known through reason. 

Greek Myths include the fairies who may have been inspired by Greek gods and goddesses. Fairies actually developed from the concept of the Fates, dance, and ritual. I wonder which ‘glamour’ will bless the artist residency in Nelson? Which of the 3 Fates or Moerae?- Clotho the spinner? Lachesis the measurer? Atropos the cutter of Life’s thread? Yikes! I have to be prepared and accept the challenge regardless of what may come to pass.

The Three Fates

The Three Fates

‘Glamourie’ is the agent that lets loose our characters that block inner freedom; an awareness that illuminates a small sword of truth in all that we are.