…OF ROYALTY

Peter Breugel the Elder, 1520-69

Peter Breugel the Elder, 1520-69, The Adoration of the Magi

 

While I have just stepped into examining KINGS already there are more than a few to admire. One of my favorites is  Peter Breugel the Elder, 1520-69, The Adoration of the Magi. The Magi are presented here as individualistic, peculiar, grotesque and sophisticated all at the same time. Hieronymous Bosch lurks in the postures. They are exaggerated in an illustrative way; elongated, appearing wise and carrying peasant worn faces of the Flemish Renaissance.  Robed in their own elegant style, their dignity overrides the bustling younger community around them.  Mary caped in sky blue welcomes the 3 strangers with open arms, as she clearly knows they have traveled to Bethlehem following a miraculous star, which has lead them to this nativity scene. Jesus is indulged by their presence and smiles back at them. Their fashion flows between jester, royalty and native non-western ceremonial attire painted in the classical palette of reds, blue, van Eyck green and soft warm whites. Within the ordinary the extra-ordinary (our ‘star’)  guides us. How would you cast the remarkable in your life?

Catherine the Great of Russia

Catherine II by J.B von Lampi 1780

Voltaire called her “STAR OF THE NORTH”. Catherine the Great was a strong proponent of European culture, of art, literature, the education of women and expanded the Russian Empire in western ways. My kind of King in Queen form. Gorgeous decadent color combinations in her attire. However, in her own words on fashion “I did not make beauty or finery the source of my merit, for when one was gone, the other became ridiculous, and only character endured.”  I get it but my mum was ‘royal’ and to her from style your character was born so I will lovingly disagree.

Diego Velasquez- Philip IV in armor

Velasquez- Philip IV in armor

 Look at his unusual  luscious lips, boyish hair and significant nose! A dandy underneath hard exteriors. Mean to Jews, expelled them from France, a nepotist, not a big fan. A fabulous portrait of light, flesh and color, however. Say no more.

Ferdinand VII by Goya

Francisco Jose de Goya y Lucientes
portraiture of the King of Spain- Ferdinand VII

Something went wrong here. Head and body aren’t connected, his flesh discolors from face to hands, feels like he hopped into some fancy clothes without showering. Can smell his odor, even. Better to have a standin. The formalities of duty call for the ‘pose’ and back to  lordship we go. The background seems unfinished, the legs of the horses on the right are cut off, perhaps two paintings merged into one? Bloated with conceit Ferdinand loves himself, a power that had to pop. Definitely disconnected from his environs. Not impressed.

Portrait of a King- by sam tk

Portrait of a wounded king- by sam  tk

So forget all the grand posturing, really, who are we kidding? I protest! Acknowledge all the wounds that lie herein, I bring thee the opportunity to face them. Yes, we are wounded by our histories, of all our failures, of all our melancholia that forced us to bore into the earth and retrieve something new over and over again. All strata of society and culture need a cathartic release from all this bruising. Let time collapse our tragic past from all kinds of domination.

Instead, let’s turn towards the royalty we are. Inhabit our grandeur within, sing to it with all our heart, let it store within us like a long lasting preserve, a delicacy of profound sweetness. Measure ourselves with the grace of the small, for they smooth all our hard edges and ask us to dance with the gods.

 

 


A King’s Matter

king at salaam boutique

King of Salaam

sensual king
a king’s matter

sacrifice the ego

the king’s chair

heads on table

heads of state

double headed
by the king’s side

sacrifice of the ego

hanging heads

 

to be headed

head features

kingliness

inside Salaam Boutique-King’s fabric-male and floral reproductive systems

 

 

KINGLINESS…

 

by Sam TK

Kingliness is the beginning to a larger art installation that examines the myths and roles of sacred ancient Kings. The King hero is a model of a behavioral code that exists in all of us as a kind of ruler or director of operations. He/She (Queen) is associated with how we manage power inside and outside of ourselves. Royalty of this kind is not be identified with, rather we align ourselves to their positive energy. When our egos seek to dominate over someone, community or land’ our sacred ruler in its healthiest state of being influences benevolently. Harmony flows as we act in accord with our environment. If our sovereignty falls ill with grandiosity then chaos ensues, our communities and earth become a wasteland. Thus the dark ruler in us as legends teach us necessitates transformation towards humility, wholeness and knowledge of ordinary life.

Kingliness is my inner image of a king- a mythic perspective of male identity and one that seeks to bring forth a sensual, elegant, masterful energy in our physical and psychological selves. His energy expression is not of a patriarchal order for he cares not to lord over others or destroy that of our environment.

I have hand silkscreened imagery on fine silk/cotton of male and floral reproductive systems. They are interwoven into primordial patterns; a mix of biology, and botany in textile production.

Weaving the human with the patterns of nature roots us with the lush and fecund earth, in our hearts and imaginations.