FASHION CRACK

FASHION CRACK

 

 The Bride Stripped By Her Bachelor's, Even

Marcel Duchamp, The Bride Stripped Bare By Her Bachelor’s, Even, 1915-23

Elizabeth Hawes was a fashion designer and critic of the 30’s, 40’s and well into the 20th century who wrote a book called “Why is a Dress?” and is known for a particular quote that reads

“It is impossible to be completely abstract about clothes because they have no life unless they are worn. They must fit onto a body or they do not exist.” 

 I thought I would respond with showing you fashion designer Lee McQueen creating a wedding dress through a process of deconstruction in his signature style while Nick Knight films him. Contrasts abound of the sinister in white. Materials get stripped down to a lonely affair of imprisonment and loss. Very powerful, darkly poetic, removed from typical wearable constructs and expressive through and through. The title of Lee’s piece The Bridegroom Stripped Bare is in reference to Marcel Duchamp’s the hard- to- decipher The Bride Stripped Bare by her Bachelor’s, Even done between 1915-23 which can be analyzed in the category of  male and female sexual conflicts. (see first image above)

 

Dark or light the power of deconstruction in design can inform the artist on how to construct new design. It is a very useful strategy for shaping and arranging form towards innovation.

Stay tuned for more on “Why is a dress?”


The Haunting Gottfried Helnwein

Gottfried Helnwein

Gottfried Helnwein

Gottfried Helnwein blows me away. An oil painter in photorealism, he strikes to a core. The technical and conceptual brilliance of his work is utterly married together and phenomenal. When I think of the word ‘inspiration’ I tend to think of other words like ‘upbeat, positive, encouraging, adventurous…’ but examining the character of his aesthetic I am inspired to get pretty damn real about life, like let’s not waste time here. He hits me hard. I love it.

 Now, I have stared at Picasso’s Guernica, 1937  http://www.pablopicasso.org/guernica.jsp  and Ruben’s Massacre of the Innocents, 1612 http://artmatters.ca/wp/tag/massacre-of-the-innocents/   and wept about our beastliness, and inhumanity. No joke, those works are powerful. This is different. The feeling of goose bumps move from skin to way way way back inside me and scorches the tips of what I also know to be human: anxiety, physical suffering, fear, victimization. Helnwein brings this kind of emotional reality into a concrete…WOW.

Gottfried Helnwein

Gottfried Helnwein

Helwein’s creative gaze captures innocence, loss, powerlessness, unrest, the ‘un-protected’ by forces of safety. When I first saw his work I immediately thought of my daughter. So right there, my insides were turned.  It is like I can see something in the young girl from my own body, to the effect of  ‘ surrender to what I can’t control, a kind of abandonment of will and maybe something will keep me alive’ kind of feeling. I began to probe that maybe the instinct to survive comes in the exact moment after the loss, or victimized feeling that washes over the body?…whatever that feeling is…HOLY CR&^%&!

Helnwein

Gottfried Helnwein

Inexplicable torture – Is this to feel? to penetrate numbness? Our culture does a very good job at keeping us trapped in a kind of delirium. Contemporary artist Paul McCarthy defines that for us in his filmic installations. The psychological terror here scares the heck out of me when these expressions stare back. It’s pretty darn literal.

Gottfried Helnwein hyperrealism

Gottfried Helnwein

The purity and then it leaves…

Gottfried Helnwein- The Child series

Gottfried Helnwein

When I see and feel this image I think of- “If I close my eyes maybe the pain will all go away. I just want to not see for a sec…” and ” maybe I can wish for help to come …”

Gottfried Helnwein

Gottfried Helnwein

A dark dark presence to reckon with and at the same time there might be a way out…?

Gotta take a breath here. Whoosh!

Below is to show you the ‘average’ scale of his work. Pretty flippin’ large.

Gottfried_HELNWEIN--THE_MURMUR_OF_THE_INNOCENTS-1

Gottfried Helnwein

The artist himself. He is Austrian born, now an Irish citizen, studios in Los Angeles and Ireland, and lives in a castle with his large family. His models are family members. He paints, does costume and theater design, installation works, performance, a draftsman…

He is more than goth, he is Gothic.

 

Photo Gottfried Helnvein

Up close to Gottfried Helnvein-

WOW!